stormdog: a woman with light skin and long brown hair that cascades over one shoulder. On her other side, she is holding a large plush shark against herself. She has pink fingernails and pink cat eye glasses (Default)
While my bicycle was being stolen late last week (more on that later; it's quite a story and I did get it back!), Miriam and I were driving to Prince Albert and Saskatoon and back. We ended up in a situation where we're not quite sure whether we were taken advantage of, or whether we took advantage of someone, or if it all kind of evens out. I'm hoping it was the third.

I had a Robson 61-key keyboard before the fire that I paid $50 for and that insurance valued at $300 to replace with a 61-key MIDI controller. But someone much more local had been selling a far nicer Yamaha digital piano for $340 (a P-155), and after arguing with myself for days about whether I could justify buying it, I decided to go ahead and found it had already sold.

So I started looking for other such deals and found one It was way the hell up in Prince Albert. It was one step down the model lineup from the P-155 (it's a P-115), but it was also rather newer and had all the features I could really want even if it wasn't as nice looking. And the seller wanted $200. Including $80 for gas, that was still a good price and less than what I was willing to pay.

I contacted the seller and asked about coming up on the weekend. He said that he was moving on the weekend, could I come up before then? I asked whether he was taking it with and I could contact him after he moved and arrange a time, but he said no, it had to go before then.

That was Wednesday, and I had a dental appointment Friday so my only option was Thursday, the next day. I'd hoped Miriam could come with if I was driving on the weekend and was a bit disgruntled at having to rush out, so I said that that would cause me some difficulty and would he take $150 for it instead? I'm really awful at asking for concessions like that, but it worked out; he would!

Miriam decided she did want to come with because her pain wasn't too bad that morning, and she could either do some work in the car or take a vacation day. So we drove the four hours to Prince Albert, playing Semantle and talking, stopping on the way to see a giant robot made out of tires, so a big bonus for me! On the way, we messaged the seller once when we were about an hour away, and again about ten minutes out, with no response.

We arrived at the address and I knocked on the door while Miriam and Ella waited in the car. Eventually a woman answered the door and I said I was there about they keyboard. She was very confused. I offered more details, then pulled up the conversation I'd had with the seller. She seemed kind of shocked - maybe embarassed? - and said that her son had listed the piano for sale without telling her and that she wasn't ok with that price. I'm not good at figuring out what to say in situations like that, so I said that I understood and went back to the car.

Miriam and I talked a bit. She asked what a price that would be reasonable to me was, and I thought about it and settled on $300. I wouldn't have driven to Prince Albert for that price, but the gas was already spent. So Miriam decided to go back to the house and ask the woman what price she would accept. We left Ella in the car and went back together, and when we knocked the door was opened by a little girl (I think at some point we learned she was six) wearing just a nightshirt. Miriam asked if she could get her mother and she kind of stood there looking at us and smiling. Miriam tried a few more times, and we learned that her mother was "upstairs," but when Miriam asked if she could *get* her mother from upstairs, she just kind of smiled.

So Miriam knocked again on the open door and the woman returned. Miriam asked what she would be willing to take for it, and she thought about it for a bit and finally said maybe $400? She said that it had been a birthday present for her son, was $1500 new, and that it had taken her a long time to pay it off. We told her that we understood, but that was just too much for us right now. Meanwhile the little girl had noticed Ella in the car and seemed pretty excited about her.

In what was absolutely *not* a conscious attempt to ingratiate ourselves (we just like making little kids happy by letting them pet the cute doggo!), Miriam commented that the girl seemed really interested in Ella. Would she like to meet her? Her mom said that recently a dog had barked at her daughter and scared her, so she was nervous around dogs but really liked them. It was determined that the little girl, who was still too nervous to really talk to us, *did* want to meet Ella, so I went back to the car and got her.

While I was away, Miriam talked more with the mother. She said that, in case she wanted to have a parental talk with her son, she should know that we drove four hours from Regina because of her son's post, and he had known that. Interspersed with that conversation, the little girl had asked a couple times if Ella could come inside! Miriam said that no, she couldn't but the little girl could per her outside and maybe give her treats? She really liked Ella a lot. So I went back to the car to get treats, which took a little looking around among the road trip ephemera, while they talked some more.

Having thought about it more I guess, the mother said that, well, maybe she'd take $300? She said that she had just been approved for disability but the checks weren't coming yet and she really needed money. Miriam agreed and told her that we'd have to go out and get more cash since we only brought $150. Her mother told the girl that we were going to be leaving for a little bit (to get money) and then coming back and then we had to leave because we had a long way to go. At the thought of Ella leaving, the girl started crying!

I hadn't heard any of that, so when I got back to the porch, Miriam said that I should go get the extra cash and she and Ella were going to stay there with the girl and her mom. I was a little confused about Miriam seemingly inviting herself to sit on this woman's porch and I asked the mom if she was ok with that. She was, and Miriam filled me in on their talk, so I drove to the nearest branch of our bank. On the way, I thought about the whole situation more and, before starting to drive back again, texted Miriam with my thoughts. Contextualizing the talk with her son (they have to move that weekend and won't take the keyboard with them) and the mother's statements, I realized that they might be getting evicted, and maybe her son thought selling his piano could help. I didn't express it in the text, but I felt uncomfortable about that and worried that maybe we were taking advantage of them? But from everything I had read online, $300 was a good but still fair price; people don't realize how fast digital pianos lose their value. And Miriam checked several times during the course of the conversation that she was really, definitely ok with that price.

While I was away, the very nervous little girl eventually was brave enough to let Ella eat a treat or two out of her hand. She also dropped and spilled the treat bag on the porch, twice, so Ella got a lot of treats that day! It seemed to make both of them really happy, so it was all definitely worthwhile!

So I got back, exchanged cash for the piano and stand, and loaded them in the car. Miriam told the girl that we would be leaving and she started crying again. I felt so bad for her! And if they *are* getting evicted and in dire financial straits, I feel so bad for all of them. It's so awful when people are in that position, and it makes me feel sad and powerless.

Miriam and I talked about the whole situation as we drove. Did we take advantage of them because they needed cash? Did *they* take advantage of *us* because we'd driven so far and were willing to pay a higher price than we would have otherwise paid? I think we still don't really know, but we both kind of hope that it all evened out, somehow, and that our buying the piano was a help to them.

And then, on the way home, we stopped to see a longtime friend of Miriam's in Saskatoon who, by complete coincidence, is moving away for a year or so very shortly. Since Miriam may find a faculty position somewhere else by then, we may not have had the chance to see them again if we hadn't happened to be near Saskatoon that day! So in the end, that made the gas money worth it in itself, and that takes some of the sting out of the higher price for the piano.
stormdog: (Geek)
Miriam and I were talking about my annoyance and frustration with new versions of various software interfaces yesterday, and that might be a post in itself. But the conversation reminded me of my experiences trying other media players since Winamp 2.x and how annoying or unhelpful I found them. Winamp 2.71 did exactly what I wanted and very little else, so I just stuck with it.

Since Winamp 2.x does not play FLAC files, and I'm tired of opening up VLC player every time I want to play the files from my ripped CD collection, and a search online for a working FLAC plugin for Winamp was unsuccessful, I finally looked for and found a media player with a customizable interface that I like. I'm switching over to using Foobar.

Good bye Winamp 2.71: you were released in December of 2000 and you worked pretty well for me for most of 23 years. I'll miss the way your individual windows snapped to each other so readily.
stormdog: a woman with light skin and long brown hair that cascades over one shoulder. On her other side, she is holding a large plush shark against herself. She has pink fingernails and pink cat eye glasses (Default)
It's ironic that I was first introduced to Shawn Colvin's concept album about her divorce, A Few Small Repairs, in my ex's music collection. I do have to credit her for my initial exposure to feminist/lesbian folk rock in general, too.

I love A Few Small Repairs in its entirety. There's some continuing catharsis in listening to it: it makes me feel understood, and it makes me really happy to have left the life I was in and to have built the one I have now.
stormdog: (Tawas dog)
While thrifting with my parents, I was really excited to have found Coheed and Cambria's "Good Apollo, I'm Burning Star IV, Volume 1." Today, I got my CD player connected to my stereo (which is still sitting on the floor of the living room) to play it. It's the censored version.

My reaction:

"Wait. What? What is this??"

stormdog: (Tawas dog)
I thought it would take longer for my piano practice to encounter limitations imposed by my hardware.

I can nearly get through Prelude in C without lengthy pauses to look at the sheet music, so I decided to start on Eric Satie's Gymnopédie No. 1. The prelude is entirely arpeggiated except for the single five note chord at the end. The gymnopédie heavily uses three-note chords from the beginning though, and my keyboard can't manage too many notes at once. I'm using the sustain pedal, and I can clearly hear sustained notes dropping out as I play notes on top of each other.

As well as the onboard (pretty low-quality) sound synthesis, my keyboard is a MIDI controller. I have Plogue Sforzando installed to use with a really nice Steinway concert grand piano library. I was playing that way in the Netherlands, but I didn't bring my MIDI keyboard with me when I moved. The one I bought here has significantly better key action, but it doesn't pass the sustain pedal state through the MIDI interface, so I basically can't use it for MIDI unless I'm willing to forego pedaling, which I'm not. Sforzando allows something like 128 simultaneous sounds, but this keyboard must be limited to 6 or 8? And beyond that I really miss the Steinway sound: the difference is night and day.

The most affordable solution may be to find a USB foot pedal I can map to the sustain pedal in Sforzando. I do have a USB foot pedal--it's in the states with the rest of my stuff.

Moved In

Sep. 1st, 2021 09:47 pm
stormdog: (Tawas dog)
So much to catch up on here. For now, though, we are finally moved into our new apartment in Regina, Saskatchewan. I just got my computer set up on the floor in the smaller bedroom and having internet helps make it feel like home. Music helps a lot too.

They Might Be Giants just keep getting better at writing happy, poppy songs about things like mental illness and upcoming apocalypses.

stormdog: (Tawas dog)
Once upon a time, I bought a cheap music-type keyboard from Goodwill. It came with a folding X-style stand that was fine except it was too short for me. I ended up turning it sideways and securing it with a twist-tie.

A little while back, I ordered myself a nicer keyboard. It's a 61-key MIDI controller with velocity-sensitive keys. I bought the suggested X-style stand with it from the music store. To my surprise, it has the same issue; it's too tall at minium height. I have it turned sidewise and again am using twist ties to keep it from folding up.

I write about this because it just collapsed, and as I worked to secure it up again, I wondered if this is just me being too short for a standard height to work (I'm 5'11" so that seems unlikely), or having bad luck with cheap keyboard stands, or what? If I use the stand as intended, the keys are definitely too high for good ergonomics, and if I sit in a taller chair my feet aren't flat on the floor.
stormdog: (sleep)
"I love America
Yo siempre he confiado en ti
I love America
¿Por qué me tratas así?"

--David Byrne, lyrics from "Miss America"
stormdog: a woman with light skin and long brown hair that cascades over one shoulder. On her other side, she is holding a large plush shark against herself. She has pink fingernails and pink cat eye glasses (Default)
I'm listening to They Might Be Giants' album "The Spine" as I work. I don't know how many times I've listened to it already, but I only just realized that Thunderbird might be about someone who's dad died in an alcohol-related car crash when she was a little girl? Maybe?
stormdog: a woman with light skin and long brown hair that cascades over one shoulder. On her other side, she is holding a large plush shark against herself. She has pink fingernails and pink cat eye glasses (Default)
Reminded by a post by a friend, and the fact that I have all of United States Live on my phone and pieces often come up while I'm driving. (I've been driving a *lot* lately, as well as packing and moving stuff. That's most of why I'm not here.)

"In our country, we send pictures of people speaking our sign language into outer space... Do you think, that they will think, his arm is permanently attached in this position? Or do you think that they will read our signs?

In our country, goodbye looks just like hello.

Say hello..."

stormdog: a woman with light skin and long brown hair that cascades over one shoulder. On her other side, she is holding a large plush shark against herself. She has pink fingernails and pink cat eye glasses (Default)
Aw, poor pupper. I had all the windows wide open today so the condo would feel fresh and outdoorsy. I just realized that Rufus was sitting on the couch shivering; he gets cold so easily. I snuggled with him to help warm him up, gave him a towel to burrow under, and closed the windows down to a sliver.

I'm listening to Stat Songs as I work. This is the greatest song on the album.

"A leg
Now I get it
I'll tell the person next to me
And then haul off and die"

stormdog: (Tawas dog)
I'm chugging away at ripping CDs to FLAC with the drive that my dad bought for me. I think I have about 40 done? I let the process run while doing other stuff, but it only takes five minutes or so per disc so I have to tend it frequently. On the plus side that kept me working yesterday evening. I was feeling so tired and kept lying on the couch next to Danae and the dog. But then the 'I'm done' beep would happen and I'd get up to put in the next disc and then do other stuff since I was up.

I played some of my copied music in the background too. My little Bluetooth speaker is a pale imitation of my hi-fi, but it does the job. Last night it was Nick Drake, the Cranberries, Blind Melon, and REM. It's funny; I'm not the biggest fan of REM. I like some of their stuff enough to grab albums I don't have when I see them for a dollar at a Goodwill. So I now have, like, 10 albums; 11 including their B-sides/rarities type release, Dead Letter Office. That's more than any other artist. Maybe it's just because they've put out so many albums?

I took a load of stuff to Goodwill yesterday afternoon. Because I was there, I had to go in and look at stuff. Because I was inside looking at stuff, I found, and had to buy, They Might Be Giants' "Severe Tire Damage," Moby's "18," and, yes, REM's "New Adventures in Hi-fi." That was the 11th disc, and the last of their first ten studio albums I didn't own. It's also the last one with their original drummer, coincidentally.

"Severe Tire Damage" is mostly songs from TMBGs existing repertoire in alternative live versions and I really like it. It ends with a series of 'secret' unlisted tracks, apparently one named for each movie in the "Planet of the Apes" series. They are...strange. But so is the band. It's cool. And now that I count them (in my head; I'm at work) I see that I actually have 11 TMBG discs as well, tying them with REM. 12 if you include John Linnell's solo album "State Songs." That's appropriate, since "Apollo 18" was the first music I ever bought for myself and they were sort of my gateway into music outside of classical. I love their stuff.
stormdog: (Geek)
Maybe I'm a weirdo, but the more I listen to Jethro Tull, the more I think Ian Anderson's flute solos are sexy as hell. Lisa gets it; she's been an Ian Anderson fan since before I was born. (Yes, I was dating a woman old enough to be my mother, as she once pointed out. Age is just a number.)

And listening to Thick as a Brick on the greatest hits album on vinyl is such a perfect example of what gets lost in newer mastering techniques that push everything up until the whole track is playing practically in the red.

So much of this song is relatively quiet. Then, after "My words but a whisper, your deafness a shout," an instrumental noise slams in and out like a slap in the face; crack! then it's gone in a moment, back to the quiet vocals. Mastering by pushing everything up to the top of the scale and cutting it off with a brickwall limiter just kills that whole effect. Dead.

The tonearm on my linear tracking turntable has sticky grease, and tonight the problem was worse than before; the tonearm kept sticking on its track and the needle got stuck in one groove as if there was a scratch in the record.

I had to lift the needle, run the tonearm up and down it's track, then try a couple times to put it back down in the right place. After I got it there, I commented to Danae, "See? This is *way* better than CDs!"

At some point I need figure out how to take it apart far enough to regrease the whole slide...
stormdog: (sleep)
From Facebook:

In response to me saying that, in fact I had read the article and was aware of the context, but I felt that the thing I said needed to be said anyway:

"Chris Allen If you read his comment in the context of the article, you would never have gone there. Seriously."

It boggles my mind how people don't seem to realize that it doesn't make any sense to tell other people what they are thinking when said person has explicitly noted that they were not thinking that thing...

But it does not appear that continuing the conversation there would be productive.

---

I just got back from a tooth extraction at a free clinic in Elgin. My teeth, the doctor said, have strong, broad roots. It took a bit over an hour, and involved sectioning the roots a couple times and removing some bone around them. He was a periodontist and doesn't regularly do extractions, if I understood correctly, but I thought he did a fine job. There was a second doctor watching and helping too, as well as a high school senior in a pre-med/dental program. I hope I helped her learn something!

Actually, I may have helped her learn a few things. I was talking about my work in libraries and my time in grad school and we ended up talking about journal article databases. I noted that I wasn't too familiar yet with medical databases, but I talked about Web of Science and the way it shows you links to both the article's citations, and the articles that cite it. She thought that sounded really great!

And then I offered tips to the dentist on doing better searches in databses in general (Use 'search within results' and make it an iterative process!)

---

I got a mint milkshake on the way home, but my socket is still bleeding and I don't want to take the gauze out long enough to consume it. Soon I hope.

I was at a stop light in Evanston, almost home and ended up sitting still through the end of the yellow light. I wanted to make sure that the car approaching opposite me was actually going to stop. Before deciding for sure that the other driver wasn't going to run the yellow/red, I realized the driver of the car, a little-old-man, behind me was waving his fists around and possibly yelling at me inside the car. Amusingly enough, I was listening to the second track of an Offspring CD I picked up at a Goodwill stop near Elgin; that track seems to be a sort of ode to road rage, with the singer going on about how he keeps a gun in his glove box and threatens people with it regularly. It includes the line "Stupid dumbshit goddam motherfucker," and as I snickered as I imagined the little-old-man behind me swearing like a sailor (actually sailors are probably more creative, but you get the point) along with the song.

After I got through the intersection, he blatantly ignored the light to turn the other way and got honked at. See, this is why I don't assume people are going to stop on red...



---

It's good to be home. I got tons of cleaning done yesterday and am going to be unproductive the rest of the day. I think that's fair.
stormdog: a woman with light skin and long brown hair that cascades over one shoulder. On her other side, she is holding a large plush shark against herself. She has pink fingernails and pink cat eye glasses (Default)
1st of May, 1st of May! Outdoor...snuggling starts today!

https://youtu.be/gEjRHFom1Kk

Jonathan Coulton's "First of May" with sign language performers.

--

Could we *please* have some dry weather now? I'm not snuggling or doing anything else outside in the rain!
stormdog: (Tawas dog)
I don't think I ever *really* listened to some of the tracks on Rubber Soul until the last few days. I'm mad at the Beatles for creating a song as evocatively beautiful on the surface as Norwegian Wood and then making it about an illicit affair and burning down someone's home as an act of revenge. Goddamit.

At the shelter last night, I was like, screw you John Lennon; I'm making up my own lyrics.

"I once had a dog,
Or should I say,
That dog had me.

I loved him so much,
I petted him,
He snuggled me..."
stormdog: (Meghan)
On a much lighter note, but still regarding trans issues in music, I got to introduce a trans woman who's really into electronic music to the work of Wendy Carlos! I'm so excited when I get to show people things that I think they'll really love!
stormdog: (Geek)
It's another of my popular, audience-grabbing walls of text! This time with a content warning for violence against women, transphobia, racism and racist lyrics, and cultural analysis. You won't be able to put it down! ('Cause it's not a physical object! HA!)

---------------------------

One of the CDs I grabbed for my trip to Posi's place yesterday was The Beatles'* Rubber Soul. One song on that album ("In My Life") reminisces about all the "places and things" and "friends and lovers" the singer has known through his life; how he will always hold them in great affection even as he loves his current partner more than any of them. I love the recognition that there is room in the heart for tender feelings that stretch beyond a single person and a single time. It's really sweet.

Another song ("Run For Your Life") threatens violence against the narrator's partner, telling her she'd "better run for your life if you can little girl," and he'd rather see her dead than with another man. Musical whiplash in one album!

I thought about the context of those two songs as part of the same greater creative work, and what I know about the time that created them, and similar contemporary music (see Jimi Hendrix singing "Hey Joe",), and in the end I could only think to myself, "culture is really complicated."

(And that's not the only such instance in the Beatles' oeuvre. Whenever I hear a snippet of the Beatles' "Getting Better", I think of Lennon singing:

"I used to be cruel to my woman
I beat her and kept her apart
From the things that she loved
Man I was mean
But I'm changing my scene
And I'm doing the best that I can."

But it still worked wonderfully for a GE advertising campaign a while ago because it's such a happy, upbeat, classic song, right!?)

Anyway, this morning, listening to a David Byrne album on the way to work, I heard "Now I'm Your Mom," a potentially offensive song from the perspective of a trans woman, and thought about Lou Reed.

A few months ago at work, Lou Reed came up as a topic of conversation between myself and two co-workers. I think we were talking about Walk on the Wild Side because it had come up in a public to-do about potential transphobia in its mention of Holly Woodlawn:

---
"Holly came from Miami F.L.A.
Hitch-hiked her way across the U.S.A.
Plucked her eyebrows on the way
Shaved her legs and then he was a she..."
---

The song was played at a college-related event and some students felt this was inappropriate because it minimized and/or ridiculed the process of gender transitioning. But Reed, and probably the bulk of listeners who understood the context, saw the whole song as a love letter to the weirdos and freaks of New York in general, and the acquaintances of Andy Warhol in particular. “Paul Morrissey made me a star," said Woodlawn, "but Lou Reed made me immortal.”

Because it's relevant, one coworker, 1, is a Black woman. As we talked about "Walk on the Wild Side," the other coworker, 2, clearly felt awkward about explaining why Walk on the Wild Side was racially insensitive. I personally didn't feel like a line referring to "colored girls" singing was out of line as a historical reference, so I quoted the line for 1 so she wasn't sitting in information limbo while we tiptoed around it. Later, when just 1 and I were talking, she pointed me at lyrics she'd found when reading up on Lou Reed. From I Wanna Be Black:

----
"I want to be black
Have natural rhythm
Shoot twenty feet of jism..."

"Have a girlfriend named Samantha
And have a stable of foxy whores..."
---

And that's leaving out a lot of other lines that would be, to put it mildly, inappropriate in a present-day context.

I think I said something like "Wow. That's really not ok." Because there wasn't really anything else to be said about that at that point. How do you understand and respond to something like that? Later, I looked around the internet to get an understanding of the context and to help me relate the song to the artist and his thoughts and intentions. I'm not going to try to contextualize it here because it's still rather outside my experience and understanding.

Sometimes people's reactions to problematic behavior on the part of content creators means is to believe that all of the content produced by that creator is indelibly stained by their thoughts and words and must be forever shunned. (Of course forever is a short time these days, but that's a tangent.) Whose work could we actually appreciate then, other than perhaps Fred Rogers?

I think there are things that shouldn't be part of the popular culture of TV, radio, and other such media. Things like Walk on the Wild Side and - another piece of media I haven't touched on here - Baby It's Cold Outside for instance. For a significant portion of people who hear them, they exist outside of their context and, in that way, are perfectly legitimate targets of serious criticism**. I still think they can be consciously enjoyed without inherently accepting racism or domestic violence.

Is such media categorically different from Reed's "I Wanna Be Black" or the Beatles "Run For Your Life"? If so, what differentiates them? If not, where is the line between 'acceptable in context' and 'simply unacceptable?'

And lastly, should I just shut the hell up and enjoy music? I guess that question is basically moot though. It's funny how strongly a question I was asked elsewhere on Facebook recently has stuck with me lately.

"Why do you care so much about this?"

How could I not? How could I *possibly* not?

--Footnotes

*I almost feel like Beatles albums don't even need to be introduced as such because everyone knows the names, but that's never really been true, and becomes less so as time passes.

**Meaning is created from, and exists entirely in, context. See the use of the word queer, for instance. If a song is felt to be misogynist or racist, then in a very real and important way, it *is*. To say otherwise; to say "if you knew the context you'd understand and your opinion is not valid" is a form of cultural elitism. But it's not *always* misogynist or racist. Or always *and* not always? Some kind of quantum state of...what? Problematicness? Culture is hard.
stormdog: a woman with light skin and long brown hair that cascades over one shoulder. On her other side, she is holding a large plush shark against herself. She has pink fingernails and pink cat eye glasses (Default)
The belt on my CD changer is broken and I haven't gotten to it yet. So tonight I'm playing records. See; no single point of music failure! *laughs*

I finally digitized "In the Hall of the Crimson King" after buying it at a local store a while back. That's the first (and so far only) record I've bought new. And now I'm listening to the Moody Blues again. Among other music, Erik played some Tom Lehrer at his place. When he gets here, maybe I should play my Tom Lehrer albums!
stormdog: (Tawas dog)
A video on how to factory reset my Fitbit used an instrumental version of a song I couldn't quite place. I knew it was Neil Young, and I knew it was a very political song. I hummed more of it to myself for a bit and I got it; "Southern Man."

I'm really boggled when people just pick songs out of nowhere to use like that. The lyrics below don't really go with poking buttons on consumer electronics, do they?

"Southern man, better keep your head
Don't forget what your good book said
Southern change gonna come at last
Now your crosses are burning fast

Southern man

I saw cotton and I saw 'bacc
Tall white mansions and little shacks
Southern man when will you pay them back
I heard screaming and bullwhips cracking
How long? How long?"

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stormdog: a woman with light skin and long brown hair that cascades over one shoulder. On her other side, she is holding a large plush shark against herself. She has pink fingernails and pink cat eye glasses (Default)
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